How “The Revenant” falls short: storytelling our way back to belonging

2.15.15_Winter woods_620w2

In his Oscar acceptance speech last February for “The Revenant,” Leonardo DiCaprio goes through the usual list of thank-you’s, then launches into weightier matters:

“Making ‘The Revenant’ was about man’s relationship to the natural world, a world that we collectively felt in 2015 as the hottest year in recorded history. Our production needed to move to the southern tip of this planet just to be able to find snow.”

DiCaprio has been a passionate and articulate spokesman on climate change for at least ten years, ever since his ponderous narration of the film, “Eleventh Hour,” in which he appears dressed in black, with an overly sober, almost frightening demeanor and message of: “You people are bad; clean up your act.” Continue reading

On conflict, unlearning, evolution, and building new narratives

9.11.15_bears_620wI recently participated in a conversation about Michelle Alexander’s book, The New Jim Crow. It was civil, although heated at times. Many of us expressed our dismay at being duped for all those decades of the “righteous” war on drugs. We were sold a bill of goods by one politician after another. Journalist Dan Baum’s shocking opening passage in the recent Harper’s article about legalizing drugs provides a fine coda to Alexander’s book. He relates an encounter with John Ehrlichman, one of Nixon’s co-conspirators and inner-circle advisors, who confirmed the cynical intentions behind Nixon’s war on drugs. It’s a sad legacy that haunts us still.

My teenage son asks some challenging questions lately. As I was telling him about the wrangling during the book discussion, he popped this one out: “Why not build a wall between us and Mexico?” He said Mexico built a wall between itself and the country on its southern border. He said he’d looked it up, although he could not in that moment remember the name of the other country. (It’s Guatemala, and a small bit of Belize.) Continue reading