War is not the answer: anger, fear, love and widening the lens

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I’ve been reading Michelle Alexander’s book, The New Jim Crow: Mass Incarceration in the Age of Colorblindness. It’s a perfect illustration of the threshold between stories. The old stories—of law and order, of command and control, of rich versus poor, of white versus black—are exposed through vivid facts, stories, and history as unfair and inadequate, manipulative and destructive.

Everyone has the power to conjure the stories that we so desperately need now, particularly when it comes to the gulf between people of means and those in poverty, white privilege and the oppression of people of color. Alternative stories are recognizable for their humanity, their appeal to empathy, connection, and belonging.

In “Straight Outta Compton,” Dr. Dre, Ice Cube, Eazy E and their friends are taking a break outside the record studio in Torrance, where they are producing their second album. The police roll up and get to work harassing and humiliating them in a practiced way, assuming they are gang bangers and dope slingers. The musicians’ protests are met not with respect or the benefit of the doubt, but with threats of further harm. It’s a clear dramatization of the power-over dynamic enabled by the war on drugs. The militarized tactics of police rely on the logic of old stories. Continue reading

On racism, white supremacy and admitting that we need each other

Tree_620wLast, night, I joined in a conversation at my son’s Quaker school about Ta’Nehisi Coates’ book, Between the World and Me. It was a fairly diverse crowd—ethnically, if not economically. Everyone there was well educated, thoughtful and, with one honest exception, liberal. I was especially thankful for the opportunity to listen to two black intellectuals and a Quaker elder who lived in Detroit during the 1967 riots.

We worked our way through various responses to the book, including praise for Coates’ use of the dream as metaphor, which I wrote about here. I appreciated hearing new (to me) ideas from folks I don’t usually encounter. A black man who teaches high school history pointed out that one of the horrors of slavery was not that white people thought black people weren’t human. It’s that they knew how human they were, and were able to manipulate the relationship to get what they wanted from them—their labor and obedience. Continue reading

The redemptive power of “Your Heart is a Muscle the Size of a Fist”

3.6.16_Leopard2Sunil Yapa’s novel has a strong structure: a ensemble cast—seven different points of view plus a narrator’s voice–weaving around an actual event with vivid details that rise to the level of mythic symbolism. A billy club stands for the brutality of all authority wielded in violence; a police horse evokes intelligence beyond the petty human; a facial scar suggests menace or heroism; the misty rain sets a theatrical atmosphere. Details like PVC pipe, apple cider vinegar-soaked pink bandanas, swim goggles, and a riot helmet reflecting clouds passing overhead work together in an ominous concert of impending doom.

The story at times feels like passages of the Mahabarata, Greek myths of fathers and sons, Shakespearean drama of mistaken identity, or the Bible’s story of the Prodigal son returning. Perennial activist John Henry is a Moses character, bringing his people to freedom through the desert. Even the simple mention of stores at an intersection—the Gap, Banana Republic, a bank—takes on an End-of Empire feel. Yes, they are actual stores, but they also stand for something far greater, beyond any one individual. They are part of a vast capitalist network of exploitation of material resources and people’s lives and livelihoods. Continue reading

Something’s coming

2000_7.9_Whitsunday sunset_cropIn my early 20s, I went through a major Henry James phase. One of my favorite stories—the one that has stuck with me all this time—is, “The Beast in the Jungle.” Maybe you know it. The main character spends his whole life certain that an unnamed evil is waiting out there for him. Something horrible is going to happen; he can feel it. He waits and worries and abstains from engaging with life, trying desperately to stay safe, to avoid this fate. At the very end of his life, he realizes that the catastrophe he feared is, literally, nothing. Nothing has ever happened to him. He has never lived; he refused the love of a good woman and squandered his one, precious life.

Most days, I wake up feeling uneasy, like something is wrong and it’s probably my fault. One recent morning I caught myself and thought of how many days I open my eyes and feel this mild dread. It’s like all the fears and failures, doubts and embarrassment, so carefully packaged and hidden during the previous day, grow restless in the night and surface with the new day. Where else are they to go? They don’t seem willing to stay stuffed down by my oppressively optimistic self. The list-maker. The implementer who stays busy to stave off anxiety. The do-er desperate to avoid an end-of-life realization like Henry James’ unfortunate character. Continue reading

Ask Edith: animal sounds

Dear Edith:

I was helping my daughter study for a French quiz on animals and the sounds they make. Did you know that the French think a horse goes “hiii hiii?” Continue reading

Dr. King and the here-there-everywhere magic of listening

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“Courage is what it takes to stand up and speak; courage is also what it takes to sit down and listen.” ~ Winston Churchill

“We have two ears and one mouth so that we can listen twice as much as we speak.” ~ Epictetus

In acting or Improv, accurate listening comes from the heart. The great actor Alan Rickman went so far as to say, ““Acting is about accurate listening.” As an expression of deep connection, listening goes so deep that boundaries and agendas are forgotten. The action, the emotion, the words between two or more people take on a fluid quality that erases individual egos. You turn yourself over to the moment, surrendering to it and to your scene partners with complete trust. You are an instrument being played by a mysterious force, a gong rung by the wind. Continue reading

Thatching our way to a new story of relationship

Polly house compositeI made these sketches for my longtime collaborator and friend, Polly Bart. After a couple of decades as a green builder, she is building a house for herself using all natural and salvaged materials, including trees harvested from her land, strawbale walls, a green roof, and—possibly best of all—a thatched roof over the main living room’s steeply pitched log structure. Last month, the master thatcher came from Ireland to put up the roof. The photos of it are stunning. (Scroll down this post for a slideshow of six images, or follow this link for more.)

This morning, I awoke from a dream of her roof, thinking about the differences between a roof like this and conventional construction. Modern construction technology favors industrial materials put up in layers, each with its specialized purpose: structure, enclosure, water shedding, waterproofing, insulation, and to bridge and/or seal thermal movement of the different materials. Thatch, by itself, takes care of all of those purposes save the structure. Great skill and long training are required to do it correctly. Continue reading

Birdcages, surfing and armor: on tapping the power of interconnectedness

2014_7.14_620wA few years ago, pondering my tendency to give in to fear, I got this image of my life as a birdcage. My body is the cage, the beautiful bird in the cage is Spirit, Unity, pure consciousness. As long as the cage is uncovered, the bird will sing and sing. My ego is the blanket that I throw over the cage, especially when I grow fearful of the song or can’t imagine how it can fit or direct the living of my life. Of course the cage is completely porous between inner and outer worlds. What happens when I open the door and let the bird fly out? What happens when I become the bird and fly to meet my fellows?

A dear friend who had recently come through a difficult period strenuously advised not to become the bird, and certainly not to leave the cage. Rather than paraphrase her words, here is what she wrote:

There is so much to chew on, but we are of matter. Of humanity. I think I tried to fly as they say. . . and in the end, I found out that I’m still just human. And we are connected. So my question is: how do we connect and fly together? Connect those dots. It seems to me, from a consciousness perspective, we all need to lift off together. Continue reading

We are all blind men describing an elephant

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I had an exchange on social media after the Paris climate talks, a back and forth of articles and videos with an acquaintance who challenged the veracity and conclusions of what’s known as “accepted” climate science. I let myself be annoyed by his posts, dismissing them as straw men. (The book and film, “Merchants of Doubt,” shows that many of them are). Among the challenges to climate science, the one I find most absurd is that scientists are after big government grants, so they’ll say anything. It’s just not persuasive when you consider that it’s usually leveled by those who DO have a financial stake—like the Koch brothers and others in the fossil fuel biz.

Then I had to laugh. Here I was defending science, when I’m more inclined to question its assumption of human exceptionalism and elevation of reason to exalted status over intuition. Rupert Sheldrake’s book, Science Set Free, shows that modern science, for all its value and rigor, has gotten so dogmatic as to be almost fundamentalist in its stridency. Anything that doesn’t fit the accepted paradigm of materialism is ignored, dismissed, and labeled “anti-science.” Data that doesn’t fit the expected outcome is shoved into a file drawer and not published. Continue reading

Ask Edith: feeding the wolf

Dear Edith,

I’m shocked that in this day and age you’re actually advising people to send their kids outside. Continue reading