What happens when we return to trusting our senses?

11.7.15_Horse2_620wIn the final two chapters of his exquisite book, Becoming Animal, David Abram unleashes a series of simple and brilliant observations and proposals for a way forward. One point he makes is that when Copernicus, Kepler and Galileo discovered that the earth is not fixed after all, but rather orbits a fixed sun, the senses were increasingly derided as deceptive and untrustworthy. It was thought that our observations had led us astray into primitive and naïve beliefs about our place in the cosmos, and therefore about ourselves.

It’s true that oral, place-based, indigenous cultures did rely on the body’s perceptions of, for example, the way the sun left the sky and traveled beneath (within) the depths of the earth at night, reemerging in the morning to begin anew its daily transit of the sky. This observation kindled a relational understanding of the fire that is visible in the sky being in league with the fire that is within us. They understood through direct experience that the gravitational pull of the earth on our body is the same attraction between the sun and the earth. Are these two ways of perceiving mutually exclusive? Continue reading

We are all Parisians

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The horrific event on November 13 in Paris has a familiar tone to it, an energetic signature much like a terrible earthquake and tsunami or a hurricane with devastating flooding. Prediction and prevention are just as imprecise and impotent as in the face of a huge “natural” disaster. The victims are struck with random cruelty. We feel helpless in the aftermath.

True, the attacks in Paris were planned and carried out by people, acting out of a story they fervently believe. As such, we may tell ourselves that acts of terror or riots of unrest are preventable—if only we have better intelligence, stronger police response, more proactive targeted drone strikes—in short, we push back. Better. Harder. First. Continue reading

Creativity is my drug of choice

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I self-medicate by making art. When I mentioned this recently to an artist friend, she responded that making art stresses her out. Her work isn’t up to her standards. And isn’t that the game we are all playing? My Muse inspires me, drives me to create. I try my best with the materials and skills at hand to give material form to that inner stirring, to share that non-material vision / impression / idea. Its only chance of being seen, of touching others, is to emerge through my hands into the light of day.

And it never—and I do mean never, ever—comes out the way it shimmers in my imagination. On rare occasions, it may surprise me with being far better. Or delight me in some unexpected way. It’s like doing Improv with myself: I make a move on the paper; I catch myself off guard; I respond with “yes-and,” and make my next move. Eventually, a scene evolves. Continue reading

Celebrating one year of creating on the threshold

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In the year since starting this blog, I’ve developed an appreciation for the value and joy of creating for its own sake. While I do enjoy interacting with readers, I also benefit from the practice of releasing control of outcomes. This has become a good place for me to keep learning this lesson:

Let yourself be silently drawn
by the strange pull of
what you really love.
It will not lead you astray.
~ Rumi

One of the strangest aspects of life on the threshold is discovering that it’s possible to make room for everything—the beauty and the ugliness, joy and despair, action and passivity, compassion and destruction. Maybe this is why I find myself thinking about urban street art, even while immersed in preparations for an upcoming Restorying retreat in the woods of West Virginia. Continue reading

Aldous Huxley’s “Island” invites us to imagine the best of all worlds

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I’m not in the same league of erudition and wisdom as Aldous Huxley, nor as full in experience (not yet, anyway). I don’t have his masterful wit, nor have I taken mescaline, about which he wrote beautifully in 1954’s The Doors of Perception. In an odd way, his final novel, 1962’s Island, is the book I was trying to write for three years. And would have written, had I not found wise teachers of Story craft and other guides and critics who came along at just the right time to ask questions like, “Do you want other people to read this?”

For all its density, I did love Island as an intellectual exercise. I learned a great deal about Eastern philosophy, especially appreciating the mash-up concocted by Huxley with the best of modern Western scientific inquiry and intellectual rigor. In his fictional island of Pala, over 100 years, the residents have built their culture out of the best of all worlds, picking and choosing from Buddhism, Tantric philosophy, Enlightenment skepticism, and scientific method to name a few of the influences that go into the Pala stew. Continue reading

In which I propose a broader definition of restorative action

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As a resident for the last twenty-five years of Baltimore, I have spent many days on the Chesapeake, usually in a sailboat. Like many Marylanders, I am acutely aware of the state of our great estuary and her many tributaries. The Bay is a complex ecosystem, her watershed sprawling over parts of six states, including major urban areas and ports, intense suburban development, industry and farmland. Many organization, locally and regionally, have been toiling for decades to raise public awareness and do restoration projects. A recent report card gives the Bay a D+ and includes this language:

“All of us, including our elected officials, need to stay focused on the Blueprint, push harder, and keep moving forward.”

Pushing harder is the mantra of the human-centered mindset that has been destroying the Bay since French and Spanish explorers came through in the 1500s, followed by Englishman Capt. Smith’s expeditions in 1607. It’s time to try something new. Or ancient. In this uncharted territory of climate change, species extinction and the general breakdown of our old cultural stories, imagining new pathways is a first step towards taking them. Continue reading

At play in the field between imagination, fantasy, and reality

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“Logic only gives man what he needs… Magic gives him what he wants.” ~ Tom Robbins

When you steep a while in the world of Story, everything starts to seem a little less “real.” The line between fact and fiction becomes blurred. Even when I work with clients, their businesses and buildings can feel a bit staged, like a game we are all playing. I am aware that few—if any—of them see it that way, so I’m careful about what I say. The truth is, though, that I’ve always had a rather loose hold on reality, feeling more at home in a world of fantasy and imagination than in the hyper-competitive, fast-paced, dog-eat-dog world out there.

This may account for my proficiency at writing proposals and designing buildings. I can cast forward and imagine the shining whole, complete and beautiful. It’s the in-between stages that are more of a slog, with their constraints of budgets and code officials and physics. Slogging is what I was taught—what we were all taught—about turning ideas into reality. In recent years, I’ve been encountering and learning about other ways to do it, ways that reach me on an intuitive level but that mostly elude me on a practical level. These are ancient ways of relating to the world and tapping our human faculties that we moderns can learn even today. Continue reading

Alone time practices connect to joy

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Self-care is an evolving discipline for me. I was labeled selfish and moody as a child, often sent to my room for being too emotionally intense. It may have been a practical strategy for a mother coping with four young children, but I didn’t understand that at the time. To this day, my alone time feels subversive. The deep core of Puritan work ethic and dedication to service in our cultural story can be misappropriated to guilt people, especially women, into caring only for others.

And yet, most spiritual traditions teach the importance of attending to oneself as an essential part of a life well lived. Modern teachers sometimes invoke the airplane oxygen mask as metaphor: you must secure your own mask before helping another with theirs. There’s also the cup of tea metaphor. Only once you’ve filled your cup to overflowing will you be able to give someone the tea that has spilled into the saucer. Continue reading

In search of maps for the territory ahead

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“For Plato, the allegory of the cave implied a journey beyond the realm of the body and the senses to the realm of immaterial ideas. But its meaning has been hijacked. For materialists, objective reality is not the realm of ideas but mathematicized matter. In the modern version of this allegory, scientists alone can step out of the cave, observe reality as it is, and come back into the cave imparting some of this knowledge to the rest of humanity, confused by rival subjectivities. Only scientists can see reality and truth. The philosopher, and later the scientist, have to free themselves from the tyranny of the social dimension—public life, politics, subjective feelings, popular agitation, in short, from the dark cave—if they want to accede to truth. Back within the cave, the rest of humanity is locked into the realm of multiculturalism, conflict, and politics.” ~ Rupert Sheldrake, Science Set Free

Years ago, I had a fascinating conversation with my nuclear physicist uncle, who spent his career on fusion (the way the sun works), rather than fission (which is how commercial nuclear power is produced). I asked him how he could consider nuclear power to be “clean” energy, when it produces radioactive waste that we hardly know what to do with—other than bury it in sacred mountains and saddle future generations with the problem. He stated that President Carter had ruined the purity of the science by agreeing via treaty never to reprocess spent fuel. The way it was designed originally, spent fuel could be recycled virtually ad infinitum and fed back into reactors, thereby creating a closed loop. (This is my own layman’s interpretation.) He was well and truly offended that politicians would meddle in things they don’t understand. Continue reading

Creative play is key to resilience and possibility

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“The creative process is a process of surrender, not control.” ~ Julia Cameron

I’ve been following my heart more and paying attention to a) what it guides me to do, b) how it feels to do it, and c) what the aftereffects are. Yesterday I was reminded that I have more resources in potentially frustrating situations when I’ve been creative at some point in the day. Yesterday morning, inspired by Nina Katchadourian’s “Sorted Books Series,” I played with arranging random but interestingly-titled books in stacks to form poetic phrases. Later, I spent maybe twenty minutes doing a quick watercolor of clouds over the Chesapeake Bay Bridge while at the after party for the annual Bay Swim.

That evening, when faced with a cranky, most unpleasant teenager, I seemed to have endless patience with him. Instead of the usual reactionary “who do you think you are” inner voice goading me to say things I’ll regret, I kept trying different tactics to reach him and bring him back to his usual sunny self. I stayed calm and nimble, creative instead of triggered. What’s behind this magic? My first thought is that creative play inoculates me. It puts me in a good mood, so I can face challenges with resilience. And, while that’s true to a degree, there’s something deeper at work here. Continue reading